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Indigo Kalliope - 5th Tuesday: "The World Looks Oddly Different"

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Indigo Kalliope — Poems From The Left

Kalliope means "beautiful voice" from Greek καλλος (kallos) "beauty" and οψ (ops) "voice". In Greek mythology she was a goddess of epic poetry and eloquence, one of the nine Muses.

Join us every Tuesday at the Daily Kos community political poetry club.

Your own poetry is always welcome in the comments. Bongos, berets & turtle neck sweaters optional.

The keyboard is mightier than the sword.

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When you write 60 to 70 profiles of poets a year, you read a lot of poetry.

Searching for poems that make you want to read more is both joy and drudgery.

Joy when you find something that ‘clicks.’ Drudgery while you wade hip-deep through all the words that don’t sing for you.

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I recently found a voice that arrowed straight toward me, strong and sure, right through the babble, only to discover that the poet died just months ago – so before we even met, I’d lost another friend.

Francisco X. Alarcón (1954–2016) was born in California and grew up in Guadalajara, Mexico. Alarcón returned to the United States to attend California State University at Long Beach, and he earned his MA from Stanford University.

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Our lives couldn’t have been more different. The connection is a love of words, and a respect for their power.

And a singular time of nightmare in the City of the Angels.

-;-

L.A. Prayer

-;-

April 1992

-;-

something

was wrong

when buses

didn’t come

-;-

streets

were

no longer

streets

-;-

how easy

hands

became

weapons

-;-

blows

gunfire

rupturing

the night

-;-

L_A_riot_1992.jpg

the more

we run

the more

we burn

-;-

o god

-;-

show us

the way

lead us

-;-

spare us

from ever

turning into

walking

-;-

matches

amidst

so much

gasoline

-;-


The L.A. Riots. They began April 29, 1992, when four white L.A.P.D. officers were acquitted of all charges in the beating of black motorist Rodney King, a beating that was shown over and over again in police videocam footage on television. The verdict would have been incomprehensible, but we had seen this before.

In November, 1991, a Korean-born grocer awaited sentencing for shooting a 15-year-old black girl in the back of the head as she turned away to leave the store after a dispute over a bottle of orange juice. The entire city saw the whole thing on the store’s security video played repeatedly on the nightly news. The grocer was found guilty of manslaughter, which could have sent her to prison for up to 16 years. Instead, the judge sentenced her to five years probation, 400 hours community service, and a $500 fine.

Five months later, my neighborhood was close to the riot’s path. For four days, we were surrounded by a ring of daylight smoke and dark-of-the-moon fires. Worried scattered gunfire might come our way, at night we lay down on the living room floor, below the level of the windows, trying to sleep.

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Words create images and feelings that connect us to lives we’ve never lived. When that happens, we never see the world quite the same way again.

-;-

“Mexican” Is Not a Noun

-;-

(to forty-six UC Santa Cruz students and seven faculty arrested in Watsonville for showing solidarity with two thousand striking cannery workers who were mostly Mexican women, October 27, 1985)

-;-

“Mexican”

is not

a noun

huicholes_7.jpg

or an

adjective

-;-

“Mexican”

is a life

long

low-paying

job

-;-

a check

mark on

a welfare

police

form

-;-

huichol-art-300x300.jpg

more than

a word

a nail in

the soul

but

-;-

it hurts

it points

it dreams

it offends

it cries

-;-

it moves

it strikes

it burns

just like

a verb

-;-

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To Those Who Have Lost Everything

-;-

crossed

in despair

many deserts

full of hope

-;-

carrying

their empty

fists of sorrow

everywhere

nogalitos_border_wall.jpg

-;-

mouthing

a bitter night

of shovels

and nails

-;-

“you’re nothing

you’re shit

your home’s

nowhere”—

-;-

mountains

will speak

for you

-;-

rain

will flesh

your bones

-;-

green again

among ashes

after a long fire

-;-

started in

a fantasy island

some time ago

-;-

turning

Natives

into aliens

-;-

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Prayer

-;-

(translated by Francisco Aragón)

-;-

I want a god

as my accomplice

who spends nights

in houses

of ill repute

and gets up late

on Saturdays

-;-

a god

who whistles

through the streets

and trembles

before the lips

of his lover

-;-

a god

who waits in line

at the entrance

of movie houses

and likes to drink

café au lait

-;-

a god

who spits

blood from

tuberculosis and

doesn’t even have

enough for bus fare

-;-

a god

knocked

unconscious

by the billy club

of a policeman

at a demonstration

-;-

a god

who pisses

out of fear

before the flaring

electrodes

of torture

-;-

a god

who hurts

to the last

bone and

bites the air

in pain

migrant-worker.jpg

-;-

a jobless god

a striking god

a hungry god

a fugitive god

an exiled god

an enraged god

-;-

a god

who longs

from jail

for a change

in the order

of things

-;-

I want a

more godlike

god

-;-

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Francisco X. Alarcón wrote about his Latino identity, about being gay – about mythology, the Nahuatl language, Mesoamerican history – and about the culture of the United States. He wrote poetry and prose, and books for children, in two languages. He was honored with the Chicano Literary Prize (1984), the PEN Oakland Josephine Miles Award (1993), and a Fred Cody Lifetime Achievement Award from the Bay Area Book Reviewers Association (2002). He was director of the Spanish for Native Speakers Program at the University of California at Davis, and taught for the Art of the Wild workshop and the California Poets in the Schools program.

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On Sunday, January 10, 2016, there was a gathering of family, friends, musicians, Aztec dancers and even the poet himself, despite his illness, to read his poetry, and celebrate his life. The event, ¡Viva la Vida! (Long Live Life), was held at the Cafe La Boheme in San Francisco’s Mission District.

Francisco X. Alarcón died of cancer, on Friday morning, January 15, 2016. He was 61.

once again I look out your window
and the world looks oddly different,
maybe the fields have blossomed,
or perhaps more stars have been born

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Sources

The Poems

  • “L.A. Prayer” from From the Other Side of Night/Del otro lado de la noche: New and Selected Poems, © 2002 by Francisco X. Alarcón, University of Arizona Press –
    www.poetryfoundation.org/...
  • “Mexican’ Is Not  A Noun” from From the Other Side of Night/Del otro lado de la noche: New and Selected Poems, © 2002 by Francisco X. Alarcón, University of Arizona Press – www.poetryfoundation.org/...
  • “To Those Who Have Lost Everything” from From the Other Side of Night/Del otro lado de la noche: New and Selected Poems, © 2002 by Francisco X. Alarcón, University of Arizona Press – www.poetryfoundation.org/...
  • “Prayer,” translated by Francisco Aragón, from From the Other Side of Night/Del otro lado de la noche: New and Selected Poems, © 2002 by Francisco X. Alarcón, University of Arizona Press – www.poetryfoundation.org/...
  • Stanza from “Of Dark Love,” translated by Francisco Aragón, from From the Other Side of Night/Del otro lado de la noche: New and Selected Poems, © 2002 by Francisco X. Alarcón, University of Arizona Press – http://www.poetryfoundation.org/poems-and-poets/poems/detail/53884

Biography

Selected Bibiliography

  • Canto hondo/Deep Song (University of Arizona Press, 2015)
  • Borderless Butterflies: Earth Haikus and Other Poems/Mariposas sin fronteras: Haikus terrenales y otros poemas (Poetic Matrix Press, 2014)
  • Ce Uno One: Poemas para el Nuevo Sol/Poems for the New Sun (Swan Scythe Press, 2010)
  • From the Other Side of Night/Del otro lado de la noche: New and Selected Poems (University of Arizona Press, 2002)
  • Sonetos a la locura y otras penas/Sonnets to Madness and Other Misfortunes (Creative Arts Book Company, 2001)
  • No Golden Gate for Us (Pennywhistle Press, 1993)
  • Snake Poems: An Aztec Invocation (Chronicle Books, 1992)
  • De amor oscuro/Of Dark Love (Moving Parts Press, 1991)
  • Body in Flames/Cuerpo en llamas (Chronicle Books, l990)
  • Loma Prieta (We Press, 1990)
  • Quake Poems (We Press, 1989)
  • Ya Vas, Carnal, with Rodrigo Reyes and Juan Pablo Gutiérrez (Humanizarte Publications, 1985)

Visuals

  • ¡Viva la Vida! at Cafe La Boheme
  • Blue Jalisco tile
  • Bonfire of a city
  • Two examples of Huichol art – the Huichol people live in the Jalisco, Durango, and Nayarit states of Mexico
  • Memorials for the dead on a border wall
  • Underage migrant worker in Texas
  • Photo of Francisco X. Alarcón
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READERS & BOOK LOVERS SERIES SCHEDULE
DAY

TIME

EST/EDT

SERIES EDITOR(S)
SUNDAY6:00 PMYoung Reader's PavilionThe Book Bear

(LAST SUN OF THE MONTH)

7:30 PMLGBT LiteratureChrislove
(OCCASIONAL)9:30 PMSciFi/Fantasy Book Clubquarkstomper
MONDAY (OCCASIONAL)1:00 PMGrokking RepublicansMokurai
8:00 PMFantasy: The Language of the NightDrLori
TUESDAY5:00 PM

Indigo Kalliope: Poems 

from the Left

ruleoflaw,

officebss

8:00 PMContemporary Fiction Viewsbookgirl
WEDNESDAY 7:30 AMWAYR?Chitown Kev
8:00 PMBookflurries Bookchatcfk
THURSDAY2:00 PMSelf-Publishing 101akadjian
8:00 PMWrite On!SensibleShoes
(MONTHLY)2:00 PMMonthly BookpostAdmiralNaismith
FRIDAY (OCCASIONAL)8:00 AMBooks In My LifePhoebe Loosinhouse

ALTERNATE FRIDAYS

8:00 PMBooks Go Boom!Brecht
SATURDAY9:00 AM

You Can't Read That! 

Paul's Book Reviews

pwoodford
9:00 PMBooks So Bad They're GoodEllid
 
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